Gelene

Gelene
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    • Schitz – The Farmer’s Daughter

      Posted at 6:45 pm by Gelene Celis, on September 17, 2019

      The old man sat on the stairs of the nipa hut.

      He could feel the heat radiating from his skin. His entire body was damp and his shirt, wet, as dews of sweat trickled down on his neck from his head.

      The grass gently swayed with the humid wind while the sun glared at him.

      He took a small, white handkerchief from his pocket and wiped his face.

      The farmer’s daughter walked down the steps.

      “Why do you come here for answers?” she asked.

      “I was told of the ancient wisdom that you people hold…”

      She smiled.  “We are not sages nor some kind of mythical beings.  If you’ve come here thinking those, then you are mistaken and I’m afraid you’ve wasted time and energy in coming here.”

      “But your way of life…”

      “The answers you seek can be found deep within yourself, where it has always lived.” she interrupted.  “If you cannot fathom this, then the answers will never come to you.”

      “Teach me.”

      “I can’t teach you anything.  No one can teach you how to breathe; we’ve always known just as our spirits have always lived in the same place but for you, my friend… your mind needs to stop so that you may remember.”

      =================

      It came to me in my dreams. I nothing’ed it but then it came back several months later.  I was dreaming it intermittently for months; I would get fragments like flashes of image, some dialogue etc.  Then one time I dreamed it for 3 nights in a row, which is kinda creepy but I thought it’s a nice little narrative so I wrote it out.
      I haven’t dreamed of it since. 

      *the Nipa Hut drawing isn’t mine.  I tried to find the name of the artist but I wasn’t able to.

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      Posted in Arts & Culture, Schitz | 1 Comment | Tagged Schitz, women
    • Should You Cat Call Her?

      Posted at 12:06 am by Gelene Celis, on September 3, 2018

      …from Playboy Magazine (Chicago, Illinois)

      playboy-catcall-400-1

       

      ======================

      Just in case you still don’t get it yet.

      Ladies: If all else fails…

      img courtesy of filstop.com

      Abaniko: hand-held fan originating from the Philippines. Good for hot weather… and slapping annoying morons.
      #diversity #multiculturalism

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      Posted in Arts & Culture | 3 Comments | Tagged north america, women
    • Brassaï

      Posted at 6:30 pm by Gelene Celis, on May 29, 2016

      …pseudonym of Gyula Halász (1899 – 1984, Romanian/French) was a street artist, photographer, sculptor, writer, and filmmaker.

      Street Art/Graffiti

      courtesy of lemonde.fr
      courtesy of lemonde.fr
      courtesy of unionstreet.fr
      courtesy of unionstreet.fr
      courtesy of theredlist.com
      courtesy of theredlist.com
      courtesy of artnews.org
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      courtesy of wikiart.org
      courtesy of wikiart.org

      “Many viewers of Brassaï’s work found it easier to accept his photographs of graffiti as art than to accept the graffiti itself.  In this sense, his work encouraged audiences to look at graffiti on the street in a new light: as framing devices for the world, as a parallel voice of the city, and as a modern primitive art that is all around us if we just care to look…”
      – Street Art, Cedar Lewisohn

      courtesy of imaging-resource.com
      courtesy of imaging-resource.com
      courtesy of imaging-resource.com
      courtesy of imaging-resource.com
      courtesy of imaging-resource.com
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      courtesy of americansuburbx.com
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      courtesy of americansuburbx.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of transversealchemy.com
      courtesy of curiator.com
      courtesy of curiator.com

      ————————-

      I found a series by him called “Transmutations” that I love, love, love.  These days you can probably render a similar/the same kind of effect with Photoshop or Illustrator or AfterEffects, but they didn’t have that back then so they were using photographic glass plates.  Very manual, analog type way of doing things.  Most avant-garde artists these days still do the analog thing and combine it with digital stuff to enhance their works.

      “In 1934, directly inspired by his collaboration with Pablo Picasso who he had been working with for two years, Brassaï decided to experiment with the technique of engraving onto glass photographic plates. He worked on thirty or so negatives of female nudes dated from 1931 to 1935, printing around 150 proofs covering the various states of the photographs at different moments in the process of altering the original material.” – museoreinasofia.es

      courtesy of nicklloyd.blogspot.ca
      courtesy of nicklloyd.blogspot.ca
      courtesy of nicklloyd.blogspot.ca
      courtesy of nicklloyd.blogspot.ca
      courtesy of nicklloyd.blogspot.ca
      courtesy of nicklloyd.blogspot.ca
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es
      courtesy of museoreinasofia.es

      ====================

      Check out Brassai’s Wikipedia entry here

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      Posted in Arts & Culture | 0 Comments | Tagged art, avant-garde, culture, europe, film, france, graffiti, hungary, photography, street art, women
    • Souveraines: Ces Peuples ou les Femmes sont Libres

      Posted at 12:26 pm by Gelene Celis, on November 8, 2015

      …is a photography book by Pierre de Vallombreuse (Bayonne, France)

      …the title also roughly translates to “Sovereign:  The Peoples Whose Women are Free”

      pierredevallombreuse9
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      Searching for an alternative to the patriarchal societies often found in Western countries, French photographer, Pierre de Vallombreuse journeyed to Southeast Asia to document the fascinating lives of indigenous people in cultures that place equal or even more value on women. Taking a humanistic approach to an anthropological question, de Vallombreuse used his camera to explore the progressive traditions of isolated communities that have remained untouched by globalization and technology.
      “Most of the cultures in Southeast Asia are more based on equality than domination,” the photographer wrote to us in an email. For this series Souveraines, which was commissioned by Arthaud Publishing, de Vallombreuse selected four remote cultures where women play decisive and central roles in governance and spirituality—the Khasi, a matrilineal and matrilocal society in northeastern India; the Palawan, a non-hierarchical community in the Philippines; the Mosuo ethnic group in China; and the Badjao, a sea-dwelling group that prefers boats to houses.
      De Vallombreuse told us that some of the most striking things he observed in these societies included “fluidity, simplicity, and normality” between men and women. “This should be normal everywhere,” he said.
      “Equality, mutual respect between the sexes, freedom to all; some traditional societies grant women leading social and spiritual roles,” the series description reads on the website of Galerie Argentic, where Souveraines is currently on display in an exhibition. “Among these peoples, women, recognized for their uniqueness and skills, are masters of their destiny.”

      ========================

      Check out Pierre’s site here
      And his Facebook here
      And his Twitter here

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      Posted in Arts & Culture | 0 Comments | Tagged asia, bayonne, book, equality, ethnic, europe, france, indigenous, matriarchal, matriarchy, native, photography, southeast asia, women
    • Pastel Supernova

      Posted at 1:00 pm by Gelene Celis, on December 17, 2012

      …is a burlesque dancer based in Toronto, ON

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      Check out her Instagram here
      Her profile here
      And an article from the Toronto Guardian here

      They usually do shows all over TO but more often than not it’s held at Lula Lounge

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      Posted in Arts & Culture | 0 Comments | Tagged art, burlesque, culture, fashion, feminism, north america, toronto, women
    • Rock & Roll Burlesque

      Posted at 4:20 pm by Gelene Celis, on October 28, 2012

      Toronto, ON

      =============

      Watched it at Hard Luck Bar

      Great stuff.

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      Posted in Arts & Culture | 0 Comments | Tagged burlesque, fashion, feminism, north america, rock & roll, toronto, women
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