Gelene

Gelene
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  • Tag: film

    • Exit Through the Gift Shop

      Posted at 4:53 pm by Gelene Celis, on September 19, 2014

      … a film by Banksy (United Kingdom)

      “Los Angeles based Frenchman ‘Thierry Guetta’ gets the idea that he would like to film street artists in the process of creating their work.  He tells them that he is making a documentary, when in reality he has no intention of editing the footage into one cohesive movie.  Unaware of this latter fact, many street artists from around the world agree to participate.  Thierry even gets into the act by assisting them in creating the art.  One of the artists that participates is the camera-shy Brit Banksy, who refuses to be shown on screen unless he is blacked out. Banksy does convince Thierry to use the footage to make a movie.  In Thierry doing so, Banksy comes to the realization that Thierry is a lousy filmmaker, but he is an interesting character in an odd yet appealing way.  So Banksy decides to use the footage and add additional material to make his own movie about Thierry’s journey in this project.  Since Thierry spent so much time involved in the process of street art, Banksy also convinces Thierry to become a street artist himself.  Thierry reinvents himself as street artist MBW, an acronym for “Mr. Brainwash”.  Banksy, in the end, may regret this suggestion.”
      – IMDB

      =============================

      This had limited release but was showing at Yonge/Dundas cinemas for a while.

      Check out the film’s site here
      And the IMDB page here

      Also, Mr. Brainwash made it (he’s exhibiting shows and got his own shop etc in LA, California)

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      Posted in Arts & Culture | 0 Comments | Tagged documentary, film, graffiti, street art, uk
    • Rec

      Posted at 3:23 am by Gelene Celis, on September 19, 2014

      …directed by Jaume Balaguero (Catalonia, Spain) and Paco Plaza (Comunitat Valenciana, Spain)

      “A TV reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside something terrifying.”
      – IMDB

      ============================

      It was on TIFF Midnight Madness.

      Rec 1 is what you see here.  Rec 2 is a pickup from 1.  Rec 3 is a prequel, and Rec 4 picks up from 2.

      In film school, we studied “lazy” ways to set up horror films and one of them was isolation, meaning isolating the characters to a confined space and not leaving them much choice.  It makes sense that it’s considered “lazy” but I think this is an exception to that theory.  There is nothing lazy about the character development and the series of events in the movie at all.

      Here’s my favorite scene from Rec 2 (LARRA_)

      Great zombie film.

      Check out the IMDB page here

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      Posted in Arts & Culture | 0 Comments | Tagged art, culture, film, spain
    • Lars Von Trier

      Posted at 6:02 pm by Gelene Celis, on September 8, 2014

      Lars Von Trier is a filmmaker from Kongens, Lyngby, Denmark.

      He was one of the founders of Dogme 95 during the 90’s, which was a rebellion movement against ubiquitous use of special effects and frou-frou that doesn’t carry much substance, which abided by this manifesto – The Vow of Chastity:
      1. Shooting must be done on location. Props and sets must not be brought in (if a particular prop is necessary for the story, a location must be chosen where this prop is to be found).
      2. The sound must never be produced apart from the images or vice versa. (Music must not be used unless it occurs where the scene is being shot.)
      3. The camera must be hand-held. Any movement or immobility attainable in the hand is permitted.
      4. The film must be in colour. Special lighting is not acceptable. (If there is too little light for exposure the scene must be cut or a single lamp be attached to the camera.)
      5. Optical work and filters are forbidden.
      6. The film must not contain superficial action. (Murders, weapons, etc. must not occur.)
      7. Temporal and geographical alienation are forbidden. (That is to say that the film takes place here and now.)
      8. Genre movies are not acceptable.
      9. The film format must be Academy 35 mm.
      10. The director must not be credited.

      Many years later, when I heard he’s coming out with a feature, free of the manifesto, I was like, “Wuuut!?!”
      Then I found out that it’s about a couple who lost their child where the wife/mother is intensely grieving.  The husband is a therapist who decides to treat her, himself, by taking her out in the middle of nowhere.
      Two things you must never do as a therapist: treat someone close to you and isolate them.

      It did not disappoint.

      =================

      Don’t me wrong, I like my big-budget, substance-less blockbuster films on occasion ’cause it’s fun but these things, to me, are so much more interesting to study.

      Montage editing was “radical” or just too “out there” back in the 60s or 70s even though a lot of avant-garde filmmakers were already using it at the time.
      Mainstream caught on eventually.
      Granted, they didn’t use it quite as much as the avant-garde, or even fairly popular filmmakers. with tendencies towards experimentation, do (ex. Darren Aronofsky or Sofia Coppola).  Mainstream media gauges it with the market vs the avant-garde, which has a very no-fucks-given sensibility.

      Anyway back to Von Trier: he didn’t use special effects in all the conventional ways at all but IMO it’s really compelling because he used it, strategically, to emphasize human emotion in moments where it’s at its peak.  As I’m sure you know, what goes on the inside can be very different, sometimes it looks almost like nothing, on the outside, so what he’s done really puts the audience in a subjective, immersive headspace.

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      Posted in Arts & Culture | 0 Comments | Tagged art, avant-garde, culture, denmark, europe, film
    • Apocalypse Now

      Posted at 2:49 pm by Gelene Celis, on August 15, 2014

      …directed by Francis Ford Coppola (Detroit, Michigan, USA)

      based of the book, “Heart of Darkness” by Joseph Conrad 

      “A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.”
      – IMDB

      ======================

      “We were in the jungle. We had too much money. We had too much equipment. And little by little, we went insane.”
      – Francis Ford Coppola

      We thoroughly studied the filmmaking components along with the psychology of the characters and the filmmakers in film school; rightfully so.
      Apparently, everybody just went batshit (the opening scene with Sheen going nuts and punching the mirror, making his hands bleed was real.  It wasn’t fake blood and he was actually pretty fucked up).
      From what we’ve studied, I think it’s safe to say that they probably ended up making an epic because the people behind the camera delved into their darkness just as the characters in the movie did.

      Check out the film’s IMDB here
      And Wiki entry here

      Check out Hearts of Darkness IMDB here
      And its Wiki entry here

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      Posted in Arts & Culture | 0 Comments | Tagged art, asia, culture, film, north america, usa
    • One Last Dive

      Posted at 7:20 pm by Gelene Celis, on August 4, 2014

      by Jason Eisener (Halifax, Nova Scotia)

      One Last Dive from jasoneisener on Vimeo.

      =========================

      Check out Jason Eisener’s IMDB here

      I still haven’t tried night diving.  Bucket list?

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      Posted in Arts & Culture | 0 Comments | Tagged art, canada, culture, film, halifax, north america, scuba
    • Off Season

      Posted at 3:02 am by Gelene Celis, on January 28, 2014

      …directed by Jonathan Van Tulleken (USA) as showcased in Toronto After Dark Film Festival

      Off Season from Joe Randall-Cutler on Vimeo.

      ==================

      I went to a showing for a series of shorts that were supposed to be scary.  This was shown with The Thomas Beale Cipher.  It was a total of 10 films and by the end of the ninth, I was feeling pretty “Meh” in terms of being spooked out.

      They dropped the bomb on this one.

      Check out the director’s IMDB here

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      Posted in Arts & Culture | 0 Comments | Tagged europe, film, horror, london, toronto, uk
    • Muto

      Posted at 3:05 am by Gelene Celis, on November 13, 2013

      …is a wall-painted animation by BLU (Italy)

      =============

      Check out Blu’s site here

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      Posted in Arts & Culture | 0 Comments | Tagged animation, europe, film, graffiti, italy, movie, stop-motion, street art
    • eaTART Foundation presents – Wavelength

      Posted at 9:10 pm by Gelene Celis, on January 25, 2013

      Wavelength Teaser from Ben Z Cooper on Vimeo.

      Wavelength Datamosh from Ben Z Cooper on Vimeo.

      In association with eatART Foundation (Vancouver)
      eatART Foundation fosters art research with a focus on large-scale, technically sophisticated art by supporting both independent and internal art projects.  We use art to educate people about the role energy plays in our lives and to raise questions about the social and environmental impact of energy use.
      eatART welcomes you to join them in their mission. Whether you want to learn specialized skills from our talented array of experts, lend your experience to educate others, or be a part of our many fun events; there’s something for everyone in this unique and successful charity.

      Check out their facebook and twitter.

      =======================

      Went to college with one of the artists, Ben Cooper 

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      Posted in Arts & Culture | 2 Comments | Tagged art, avant-garde, culture, film, movie, north america, vancouver
    • Tasman Richardson – The Game

      Posted at 2:07 pm by Gelene Celis, on November 21, 2012

      Toronto, ON

      =========================

      Hit up a few hipster shows way back.  This was playing in one of them.

      Check out Tasman Richardson’s website here

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      Posted in Arts & Culture | 0 Comments | Tagged art, avant-garde, culture, film, north america, toronto
    • Steve Sanguedolce

      Posted at 11:36 pm by Gelene Celis, on August 13, 2012

      …is an avant-garde filmmaker based in Toronto, ON

      Here’s his latest film

      “…For me its more like assembling a jigsaw puzzle that hasn’t been made yet. I don’t have all the pieces and I’m trying to build these pieces, and the pieces come out of some interest, or desire, or willingness to explore these particular areas.

      Some people would say they never want to make a film like that. It’s like I never have a clear idea what I’m doing until I’m half way through it, and I really don’t know what my films are about until they’re pretty well half done, because they’re just collections of stories or images. It’s probably not the smoothest way to proceed, but I always like the explorative element of that. I always like the discovery element of it, because I feel like I’m not predisposed to writing an idea that I think I can work with throughout. I think I might start writing about red and end up with green, or I might start writing about wood and end up with steel. I’ve always tried to follow that. I’ve always tried to follow certain things that are important and through that I’ve tried to decipher some kind of code…”

      – Steve Sanguedolce

      =============

      His films talk about really heavy stuff: depression, suicide, addiction, crime, inequality… along with the social and psychological effects and factors that play in the equation.  He would interview people, get them to tell their stories and weave them together as if they were related or he would find connections.  He already has a ton of footage but he randomly just shoots when it feels right type thing or sometimes he goes out to shoot for specific scenes on purpose but before the video is cut, the audio comes in first: he would weave the story together and form a composition out of it.  

      The weird-looking footages are processed in a really trippy way: he shoots stuff, takes the negatives, soaks them in toner and then develops it.  His works are visually stunning but the way the stories unfold… are not for the faint of heart. 

      Having said that, he usually reveals redeeming qualities from the anguish.

      I guess that quote by Carl Jung really applies to his works, “One does not become enlightened by imagining figures of light, but by making the darkness conscious.”

      Check out Steve’s site here

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      Posted in Arts & Culture | 1 Comment | Tagged art, avant-garde, culture, documentary, film, italy, toronto
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